Originally posted by DonP
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ABR vs Nashville T.O.M.
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Originally posted by DonP View PostThe term is called topwrapping. I don't like doing this because it will scratch up the tailpiece, and... I think it just looks weird.
I don't do it either. In my opinion, it does not have ANY affect on tone, and I don't have any other reason to do it that way. I never have a problem with bending strings, and I don't have a problem with the strings hitting the back of the bridge, even if the tailpiece is dropped down to the body.
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Originally posted by zeegler View PostI don't do it either. In my opinion, it does not have ANY affect on tone, and I don't have any other reason to do it that way. I never have a problem with bending strings, and I don't have a problem with the strings hitting the back of the bridge, even if the tailpiece is dropped down to the body.www.JerryRobison.com
'84 RR, '06 Pablo Santana Soloist,'76 Gibson LP Custom 3 pup,'79 LP custom 2 pup,'82 Gibson XR-1,'89 BC Rich Namm proto, '07 Lauher custom, 86 & 87 model 6, Carol-Ann Amplifiers, Marshall amps, Keeley pedals....it's a long list. Check out my site.
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It does impact feel and tone, and I also prefer the traditional stringing.
Though, if one prefers the feel of topwrapping, you could also get the TP6 fine-tuning tailpiece to get close to it.I feel my soul go cold... only the dead are smiling.
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Would these posts work with the Nashville bushings?
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This old geezer has been top wrappin' since '74, I picked it up from Billy Gibbons and a hot player I grew up with. I hardly ever break strings and I like the feel of the string tension. Some other high profile player did it way back when, but I don't recall who. Zakk Wylde is a modern player whose axes are top wrapped, but I notice his Gibson models come the standard way from the factory.
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