Don't overlook how vital the neck relief is on action setting. A dead straight neck is NOT good, as setting the action for minimum buzz at the lower reaches leaves the upper frets stiff to play. Similarly having too much concave relief causes fretbuzz on the top frets despite the action being high lower down. In my book, the only player who would benefit from a dead straight neck is one who rarely plays in the first few positions, or plays rhythm lightly but really digs in when playing single strings high up. A legato player using a lot of hammer on/pull offs needs a slight curve in the neck to ensure consistent action (and by this I mean a similar gap between string and next fret in every fretted position, allowing for the fact that the string's vibration is less the higher you fret, but then the next fret is also closer). This is very difficult to illustrate or describe without a guitar or a sketch pad!!!
The perfect setting depends on the gauge of strings, how you play and hence the degree of fret buzz you will cause with your playing and how much your ear will tolerate.
If you are getting buzz at the top of the neck, but the action is OK down low, your neck probably needs straightened a little by tightening the trussrod - go easy! If it's already dead straight, a light fret dress up top should do it.
The perfect setting depends on the gauge of strings, how you play and hence the degree of fret buzz you will cause with your playing and how much your ear will tolerate.
If you are getting buzz at the top of the neck, but the action is OK down low, your neck probably needs straightened a little by tightening the trussrod - go easy! If it's already dead straight, a light fret dress up top should do it.
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