Originally posted by ulijdavid
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Sully Guitars collaboration with Grover Jackson!
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That's so awesome Sully, very happy for you. The work looks great as always. So how was it working in someone elses shop, with their tools? it had to feel a little weird hey?"I have so much gayness at times. My wife walks in my music room, and there I am, in my undies, listening to "Sister Christian" while lighting fireworks..doin' blow." - Bill Z
"I leave off the back plate and pinch my forskin between the tension springs. That may not work for everyone. But I find that the people love it. Half the tone is in the pud." - Bill Z
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Yes and no. Picked up some new ways of doing things, while also preferring the way that I do certain things.
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Stack o' bodies:
Necks rough machined:
Lots more to do!
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These are ready for finish, and the rest should be ready to go by the end of today.
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Post stain/pre sealer. They'll get some candy over the color as well. The two on outsides are going to Boxcar Guitars in San Diego; the one in the middle goes to The Guitar Sanctuary in McKinney, TX.
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Looked like you had fretboards, markers, necks, bodies, etc.. all done at the same time. I'm assuming that when you do multiple custom orders at once you're managing your time differently. Cut a body for another while glue is drying on the binding of something else. Shape a neck on one while another is out at paint. Seems like there's none of that. How has the adjustment been doing a production run of the same model?Any way you could possibly put more shit into your sig?
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You're totally right! These are still being done in a similar fashion in that you still do X while waiting for Y. For example, cut up neck blanks while tops are being glued to bodies, machine bodies while neck blanks are glued, etc.
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Blue fades:
Tea fade (Arnold Palmer!):
Black "dog hair":
More soon!
Sully
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