I had grown up playing trumpet and piano in elementary/middle school but I was a metal head in high school and started playing in 1983. I spent hours, days, weeks and years trying to learn stuff by Ozzy/Randy, Judas Priest, Iron Maiden, Van Halen, Ratt, Metallica and slow parts from Yngwie's Rising Force album. Way back when finding good tab was a bitch and Guitar For the Practicing Musician was the only good guitar magazine.
I was fortunate that my mom would drive me and drop me and my buds off at all the metal shows in Worcester, MA and Providence, RI when I was growing up.
Through a friend of the family in the music business I got a great deal on my first guitar, a free Washburn stage series A20V like Carlos Cavazo played in Quiet Riot. I think it retailed for $799 back in 1984. It is all black with ebony board and red neck and body binding and some red pinstriping and made in the legendary "Uncle Matt" Matsumoku factory in Japan. I still have it to this day and it is as playable as each of my jacksons, a true speed neck profile and it gets the best pinch harmonics of any guitar I have. In the neck poition it is the blusiest metal tone I ever heard, almost Stevie Ray strat sounding, especially with the coil taps.
So I was lucky in that my first guitar compares quite favorably with my USA Jacksons (except for the trem systems.) Its not particularly vintage or sought after by collectors for big bucks but you don't see them too often and as anyone knows who plays the Washburns, Arias, Westones, Epiphones, etc.made by Matsumoku in that era, they are tremendous players.
A huge fan of Jacksons since the 80s, my first USA Jackson was in 2008. Not sure why I waited so long but it is a KV2 (snow white with black bevels) and I followed that two years later with a black SL1. They are each phenomenal to hold and the playability on these things is insane. Real professional intruments. Makes me wonder why people buy other guitars with these chunky necks and more difficult upper fret access. The compound radius is such a great feature.
As gear became slightly more affordable to me with work and being 42 now and knowing my playing lifespan is on the downside, I upgraded the amps to a Mesa Roadster and a Dr. Z.
I still play the same metal stuff from when I was a kid but now am also a big fan of the big country shredders (Brad Paisley and Brent Mason) and am really into Andy Timmons and playing some of the more slower for the mere mortals passages from Jason Becker, like some of the parts of End of the Beginning and the intro and other parts of Opus Pocus, etc. Such a genius composer.
I was fortunate that my mom would drive me and drop me and my buds off at all the metal shows in Worcester, MA and Providence, RI when I was growing up.
Through a friend of the family in the music business I got a great deal on my first guitar, a free Washburn stage series A20V like Carlos Cavazo played in Quiet Riot. I think it retailed for $799 back in 1984. It is all black with ebony board and red neck and body binding and some red pinstriping and made in the legendary "Uncle Matt" Matsumoku factory in Japan. I still have it to this day and it is as playable as each of my jacksons, a true speed neck profile and it gets the best pinch harmonics of any guitar I have. In the neck poition it is the blusiest metal tone I ever heard, almost Stevie Ray strat sounding, especially with the coil taps.
So I was lucky in that my first guitar compares quite favorably with my USA Jacksons (except for the trem systems.) Its not particularly vintage or sought after by collectors for big bucks but you don't see them too often and as anyone knows who plays the Washburns, Arias, Westones, Epiphones, etc.made by Matsumoku in that era, they are tremendous players.
A huge fan of Jacksons since the 80s, my first USA Jackson was in 2008. Not sure why I waited so long but it is a KV2 (snow white with black bevels) and I followed that two years later with a black SL1. They are each phenomenal to hold and the playability on these things is insane. Real professional intruments. Makes me wonder why people buy other guitars with these chunky necks and more difficult upper fret access. The compound radius is such a great feature.
As gear became slightly more affordable to me with work and being 42 now and knowing my playing lifespan is on the downside, I upgraded the amps to a Mesa Roadster and a Dr. Z.
I still play the same metal stuff from when I was a kid but now am also a big fan of the big country shredders (Brad Paisley and Brent Mason) and am really into Andy Timmons and playing some of the more slower for the mere mortals passages from Jason Becker, like some of the parts of End of the Beginning and the intro and other parts of Opus Pocus, etc. Such a genius composer.
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