Hey Anders - I very much appreciate you trying to help. And I'm glad that you're getting something out of it too. I've always hoped there'd be more than just me getting something from this thread, and I'm glad someone else is posting their progress too.
I'm also interested in pushing my speed of course, but I'm wary of doing it at the expense of clarity. Here's an example of some Stetina exercise I recorded nearly two years ago. At the time, I thought it was pretty good, but listening back now I can here just how bad it is. From now on, I want to be sure everything is sounding just right before I go any faster:
I just re-watched this Malmsteen vid:
I see what you mean about his 4th finger. But I think what I see is that he moves it out of the way when he's not using it. Lots of his playing high up the neck seems to use just the first three fingers like a rock/blues guitarist. But when he gets to the fast scalar runs lower down the neck, his 4th finger seems to be in tight to the fretboard and not moving much at all. Anyway, you're right: plenty of great players can play fast without a classical-style finger technique.
I'm also interested in pushing my speed of course, but I'm wary of doing it at the expense of clarity. Here's an example of some Stetina exercise I recorded nearly two years ago. At the time, I thought it was pretty good, but listening back now I can here just how bad it is. From now on, I want to be sure everything is sounding just right before I go any faster:
I just re-watched this Malmsteen vid:
I see what you mean about his 4th finger. But I think what I see is that he moves it out of the way when he's not using it. Lots of his playing high up the neck seems to use just the first three fingers like a rock/blues guitarist. But when he gets to the fast scalar runs lower down the neck, his 4th finger seems to be in tight to the fretboard and not moving much at all. Anyway, you're right: plenty of great players can play fast without a classical-style finger technique.
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