What if B-C and E-F were like the rest of the

[ApeDosMil]

notes?

Would that change Theory a whole lot and loose a lot of quirks?

Why does that happen? Or why did they do it that way?

[zeegler]

Re: What if B-C and E-F were like the rest of the

They just did it that way so that the major scale had no flats or sharps. It doesn't really matter what the notes are called, they would still sound the same.

[Fragle]

Re: What if B-C and E-F were like the rest of the

seems like there's another candidate for the jcf "i have no life" membership [img]/images/graemlins/laugh.gif[/img] [img]/images/graemlins/laugh.gif[/img] [img]/images/graemlins/laugh.gif[/img]

[Incster]

Re: What if B-C and E-F were like the rest of the

Well, Tonality would be a much more weaker concept (no natural major/minor chords for starters). Something along these lines has been tried with 12-tone music/serialism - an acquired taste and Katzenmusik until then.