prior to some people telling me that your picking hand should barely be touching the bridge of the guitar, when you are picking fast, I always layed my hand on the bridge. not palm muting mind you. it would be difficult for me to switch strings alternate picking say across 4 strings with my hand anchored as i would always wind up picking over my bridge pickup, and messing up. I was wondering, what you all feel proper technique is. right now im trying to get this "lay hand on bridge" lightly technique down, but i would just like some more opinions before I get serious into practicing this way
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Anchoring hand to the bridge? Bad thing?
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well i still anchor my hand over the body.This is the easiest way to achieve a stable picking ,mostly for palm muted riffing.But i wouldn't do it on the bridge.I don't think that's good for the sustain anyway!www.myspace.com/daemonbarbeque
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"There is no knowledge wich is not power" Lord Raiden
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Well, sustain has absolutely no bearing on fast picking - the whole point of picking fast is not letting notes sustain
Anyhoo, it does take practice to not clamp your hand onto the bridge. Try resting your arm on the body itself and your hand away from the bridge, or use your pinky tip on the surface of the body to use as a pivot.I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
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I don't know about anchoring to the bridge, but do what's comfortable. I usually "anchor" my pinky to the body by the volume knob when I'm picking. I've noticed some guitarists do, some don't. It's all about comfort. Look at the way Marty Friedman plays, or the way Eddie speed picks. Not exactly conventional, but definitely works for them.EAOS: 28JUN09
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It's difficult not to do it for me, I've been playing like that since I started. Damn you, James Hetfield.Dreaded Silence - Boston Melancholic Metal
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I tend to be a little different. I use to achor my hand on the bridge. The faster I got the lighter I found my hand anchoring.
Now my palm usually sits right about where the saddle edges are where the strings meet them at the bridge - a little bit before atcually. My hand sits very lightly more on the strings now than the bridge.
Provides for very efficient muting and extremely fast picking. When I need more sustain I just lift my palm up very slightly.PLAY TILL U DIE !!!
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I anchor too. In fact I think I do the exact same thing it sounds like Shredmonster does, but I'm not exactly a shred monster myself. (I can play, but not Yngwie songs.)
I find that skipping 2 or more strings when alternate picking or switching strings when I pick really fast will hang me up and it won't transition smoothly. There's usually a clunker in there somwhere. I think it's because I have to angle my hand to hit different strings and it throws my pick angle (and wrist motion) out of proper alignment.
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Originally posted by Adam View PostI anchor too. In fact I think I do the exact same thing it sounds like Shredmonster does, but I'm not exactly a shred monster myself. (I can play, but not Yngwie songs.)
I find that skipping 2 or more strings when alternate picking or switching strings when I pick really fast will hang me up and it won't transition smoothly. There's usually a clunker in there somwhere. I think it's because I have to angle my hand to hit different strings and it throws my pick angle (and wrist motion) out of proper alignment.Scott
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I'm used to anchoring my hand very lightly on my floyds.
My hellraiser 7 is the first "non" floyded guitar I've owned in a long time and having the TonePros kind of screwed me up a little at first,
but now I just lightly anchor my hand on the strings right in front of the bridge and it's actually made my "anchoring" lighter with my floyds.
Just do what works and feels comfortable.If this is our perdition, will you walk with me?
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I have found pick angle makes a big difference in smooth string changing during rapid alternate picking. leaning the pick into the direction of the string change, as you would if dragging a pick across the strings is the obvious angle to fool with. I find it harder to do going from low to high strings but very natural the other way. I also play with rotating the pick a bit so that I hit the string with the edge of the pick rather than the flat. More rotation seems to make transitions easier but has more of a degrading effect on the sound generated.
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