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  • #31
    VD...and i am not kidding, they are my initials! and being an artist i avoid signing 'vd' tend to use first initial and full last name!

    NOTHING TO CLAP ABOUT! ha ha

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    • #32
      Originally posted by El_Kabong View Post
      Usually, I act if my guitar is my dick. I put it between my legs and and play like I am jacking off. At the end, I put my face behind the headstock and spit on the crowd, as if I have just ejaculated. I am a classy guy.
      YOU dirty bugger!

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      • #33
        :ROTF: :ROTF:
        Originally posted by 69buickman View Post
        I like to play naked, and slide from the first fret to the 17th really fast..moaning. Then when im done i squirt a bottle of lotion i have behind the headstock onto the audiences face........What is it just me?
        Scott

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        • #34
          Playing in tune.

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          • #35
            a ski mask

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            • #36
              windmilling really fast while playing
              ----------
              Gear Action - Washburn Dime 2ST Pro, BC Rich NT Jr. V w/EMG, Dean DFH/CFH, Dean V-Coustic, Jackson USA KV2, Peavey 5150 II, Randall 412CXM, BBE 362 Sonic maximizer, Alesis 3630 noise gate

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              • #37
                Originally posted by El_Kabong View Post
                Usually, I act if my guitar is my dick. I put it between my legs and and play like I am jacking off. At the end, I put my face behind the headstock and spit on the crowd, as if I have just ejaculated. I am a classy guy.
                Your as sick as i am...nice

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                • #38
                  Some cool whammy bar tricks I tend to overuse
                  Like using quick whammy 1 or 2 semitone drops/released for melody purposes (where quick pull-hammer or back-forth slide could be used as well)
                  Droping an open string, hammering the note, then releasing the bar and some other stuff like that.
                  "Fading in" notes from the pre-drop
                  "Skyrocketing" pinch harmonics: pre-diving the bar, hitting the note (w/harmonic), then simultaneously releasing the bar and starting to bend the note (w/fingers). More agressive and squealing compared to just playing the harmonics and bending them afterwards.

                  I also like to make wide bends (no whammy) - 1.5-2.5 semitones.
                  And if they are also performed gradually with good vibrato in the end, these long bends sound in lap steel fashion, which is fun.
                  Because I don't say it
                  Doesn't mean I ain't thinking it

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                  • #39
                    mine is sucking...cant play for s**t but like loud noise and rattling the house
                    85 Jackson 87 model1 87 model6

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                    • #40
                      I like using this sweep in my songs alot:

                      ------------------12h17p12---------------------
                      ---------------13-----------13------------------
                      -------------14---------------14----------------
                      -----------14-------------------14--------------
                      ----12h15--------------------------15p12-------
                      ------------------------------------------------



                      Also, I can alternate pick quite fast.
                      My Main Rig:
                      '87 Charvel Model 4A
                      Peavey KB100 amp
                      Ibanez SM7 Smashbox

                      Others:
                      '92 Gibson Les Paul Custom
                      '05 Ibanez RG320FM
                      '86 Ovation Pinnacle
                      '98 Synsonics Custom Strat
                      '89 Kramer 700ST Bass

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                      • #41
                        accent on allmost every note .. "unsmooth" soloes slash style (cant explain it.. when he plays fast his playing isnt smooth... he puts lots of breaks between notes which i like )
                        If the crowd is shouting for an encore, but the sound guy is shaking his head, ignore him and play anyway

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                        • #42
                          Manhandling the shit out of the guitar, playing too fast, and reaching up to the neck while riffing for quick right-hand hammer-on's. And flinging sweat from headbanging on the first row in the crowd.

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                          • #43
                            Harmonic Minor(TM) and Diminished(TM) scales* and arpeggios* are trademarks of Delt(R) Guitar Playing Inc.




                            * (C) All rights reserved, 1834-2007
                            "It wasn't the world being round that agitated people, but that the world wasn't flat. [ ... ]
                            The truth will seem utterly preposterous, and its speaker, a raving lunatic."

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                            • #44
                              I just found today something I do often but, never really cared about..
                              When there is a riff with brakes in it or something...
                              I play the riff then go down and scrape with my hand from the 17-19 fret
                              up to the riff again...
                              Cold Hollow Machinery

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                              • #45
                                using bar chairs as shoes and walking across the dance floor with them.. (this takes some balance)

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