In the discussions about Jackson's knob placement, someone invariably mentions they like the positioning because it makes volume swells easier.
Now, for this discussion, volume swells are defined as fading in or out like EVH's "Cathedral" or Roy Buchanan's work, not just sharp volume cutoffs/returns to reduce excess noise after quick passages (which can be just as easily done with a kill button or pedal, if not more easily) or "backing off for rhythm/cranking for solos", which again do not seem to be affected by knob placement.
So, who actually uses "Cathedral" style volume swells with such regularity that they couldn't use a pedal instead?
Now, for this discussion, volume swells are defined as fading in or out like EVH's "Cathedral" or Roy Buchanan's work, not just sharp volume cutoffs/returns to reduce excess noise after quick passages (which can be just as easily done with a kill button or pedal, if not more easily) or "backing off for rhythm/cranking for solos", which again do not seem to be affected by knob placement.
So, who actually uses "Cathedral" style volume swells with such regularity that they couldn't use a pedal instead?
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